Η Πραγματικότητα Είναι Στρατευμένη

‘Reality’ is nothing but an expression of the prevailing ideology. Seen in this light, the classic theory of cinema that the camera is an impartial instrument which grasps, or rather is impregnated by, the world in its ‘concrete reality’ is an eminently reactionary one. What the camera in fact registers is the vague, unformulated, untheorized, unthought-out world of the dominant ideology

(από το CINEMA/IDEOLOGY/CRITICISM των Comolli & Narboni, 1969)